15th Collection (page 6)

Sacramentary (Incunable Fragment)
Two consecutive bifolios from an incunabula, parchment. Part of a liturgical text, probably a sacramentary but possibly a missal. Date: Late circa 15th Century

Unknown Texts (Fragment)
Bifolium from an unknown work or works, possibly relating to canon law, parchment. Date: 14th - circa 15th Century

Biblical Commentary (Fragments)
Two leaves from a Biblical commentary, parchment. From the same manuscript, possibly two halves of a bifolium, although the text is not consecutive

Psalter (Fragments)
Parts of three bifolia from a psalter, parchment. Text in a single column in a Gothic rotunda script in dark brown ink with alternating red and blue decorated capitals and larger red

Statutes for Elections (Fragment)
Bifolium from an unidentified text, possibly a work such as book of statutes or constitution for a monastic community, on parchment

Calendar (Fragment)
Leaf of a calendar, possibly from an obit book. The leaf is for the month of November. Date: circa 15th Century

Preface to Martial's Epigrammata by Merula
Two attached folios, paper, probably the endpaper and first leaf of a volume. Folio 1, which would have been the endpaper

Missal (Fragment)
Fragment from a Missal, parchment. A double leaf that has been cut in half horizontally so the bottom of each folio is missing. Date: Mid 15th Century

Philosophical Treatise (Fragment)
Half of a leaf, paper. Text in black in three columns in a cursive documentary script. It is heavily abbreviated but appears to be a philosophical text. The top half of the leaf is missing

List?
Single folio, paper, with numbered paragraphs on the recto, possibly an itemised list. Blank on the verso. Text in a German cursive in brown ink, no line rulings. Date: 15th Century

Unidentified Fragment
Fragment of a leaf of a manuscript, parchment. Text in Middle German(?). The text block has wide margins above, beneath and to the left-hand side but the leaf has been cut down the right-hand side

Gebetbuch (Fragment)
Five leaves from a prayer book (Gebetbuch) in Middle Dutch, parchment. Consists of one bifolium and three loose leaves, probably consecutive

John Gower, Confessio Amantis (Fragments)
Four leaves (2 bifolia) from an illuminated manuscript copy of Gower's Confessio Amantis, parchment. The text is the B version and is part of Book V

Modern age. Spanish infantry. Fife and drum
Modern age. Spanish infantry. Fife (small flute) and drum. Engraving. Museo Militar, 1883. Later colouration. Date: 2020

Mercenary soldiers. Landsknechte. Engraving after etching by Daniel Hopfer, 1530. Museo Militar, 1883. Later colouration. Date: 2020

Embarkation of Christopher Columbus at Palos de la Frontera
Discovery of America. Embarkation of Christopher Columbus at Palos de la Frontera (Spain), on August 3, 1492. Engraving. Museo Militar, 1883. Later colouration. Date: 2020

Modern era. Mercenary soldiers: Swiss. Engraving. Museo Militar, 1883. Later colouration. Date: 2020

Spanish sallet. Engraving. Museo Militar, 1883
Combat helmet. Spanish sallet (Celada de encaje). Engraving. Museo Militar, 1883. Later colouration. Date: 2020

Falconet. Engraving. Museo Militar, 1883. Later colouration
Falconet or falcon. Light cannon developed in the late 15th century. Engraving. Museo Militar, 1883. Later colouration. Date: 2020

Turkey. Constantinople. Yedikule Fortress
Ottoman Empire. Turkey. Constantinople (today Istanbul). Yedikule Fortress or Fortress of the Seven Towers. Its construction was commissioned by Ottoman Sultan Mehmed II in 1458

Modern age. Imperial artillery (from the Bologna Procession). Engraving. Museo Militar, 1883. Later colouration. Date: 2019

Vasco da Gama (1460-1524). Portuguese explorer
Vasco da Gama, 1st Count of Vidigueira (1460-1524). Portuguese explorer. He was the first European to reach India by sea. Engraving. Museo Militar, 1883. Later colouration. Date: 2019

Christopher Columbus (1451-1506). Navigator and colonist of the Americas. Engraving. Museo Militar, 1883. Later colouration. Date: 2019

Diego Garcia de Paredes (1466-1534). Spanish soldier and duellist. Engraving. Museo Militar, 1883. Later colouration. Date: 2019

The Archers of Burgundy. Engraving by Serra
The Archers of Burgundy, Burgundy Guard or Blade Guard, were an armed unit from the Burgundy Guard of Archers, introduced in Spain by King Philip I of Castile

Soldier of the Crown of Aragon. Engraving. Museo Militar, 1883. Later colouration. Date: 2019

Ribauldequin. Late medieval volley gun
Ribauldequin or rabauld. Late medieval volley gun with many small-caliber iron barrels set up parallel on a platform, used during the 14th and 15th centuries. Engraving. Museo Militar, 1883

Armour. Gauntlet. Engraving. Museo Militar, 1883
Armour. Gauntlet. Gloves of metal plates which protected the hand. Engraving. Museo Militar, 1883. Later colouration. Date: 2019

Spain. Castle of Belmonte. Engraving. Later colouration
Spain, province of Cuenca. Castle of Belmonte, 15th century. Engraving. Museo Militar, 1883. Later colouration. Date: 2019

Spain, Astorga. Ruins of the old castle. Engraving
Spain, province of Leon, Astorga. Ruins of the old castle, demolished in 1872. Engraving. Later colouration. Date: 2019

Fernando Nunez de Guzman (ca. 1480-1553). Spanish rhetorical, called Nunius Pincianus or Pinciano, and Greek Coomander. Professor of Greek at the University of Alcala. Portrait, detail

Fadrique Enriquez de Velasco (1465-1538). Lord of Medina de Rioseco, 4th Admiral of Castile. Portrait, detail. Illustration by Letre. Lithography. Cronica General de Espana

Beatriz Galindo (1465-1535), called La Latina. Latinist, writer, humanist, educator and teacher of Queen Isabella of Castile and her children. Portrait, detail. Illustration by Llanta. Lithography

Spain, Palencia. Cathedral of San Antolin (14th-16th centuries). Interior view of the temple. Illustration by Letre. Engraving by Capuz, 19th century

Joanna la Beltraneja (1462-1530). Spanish Infanta, heiress of the Kingdom of Castile. Queen of Portugal as the wife of King Alfonso V. Illustration by Letre. Detail. Lithography

Juan de Fermoselle (1468-1529), called Juan del Encina. Spanish poet, playwiright and composer. Illustration by Llanta. Detail. Lithography. Cronica General de Espana

The Saviour by Giovanni Bellini(1432-1516)
Giovanni Bellini, called Il Giambellino (1432-1516). Italian painter. The Saviour. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Philip III, Duke of Burgundy, so-called the Good (1396-1467). Founded the Order of the Golden Fleece in 1429. The king in chapter robes, wearing the gold collar of the Order of the Fleece

Knight of the Distinguished Order of the Golden Fleece in ceremonial dress. Chivalry order founded in 1429 by Philip the Good, Duke of Burgundy. Chromolithography

Wooden anthropomorphic figure. Chimu culture
Wooden anthropomorphic figure. There were idols and depictions of ancestors In the temples and shrines. Chimu culture. Late Intermediate Horizon (1000-1470 AD). Peru. Museum of the Americas

Large bowl. Painted ceramic. Mixteca-Puebla style. Late Postclassic Period (1350-1520 AD). Mexico. Museum of the Americas. Madrid, Spain. Date: 2018

Plate decorated with depiction of two fish. Ceramics. Inca culture (1400-1533 AD). Peru. Museum of the Americas. Madrid, Spain. Date: 2018

Vessel with mythical character. Ceramic. Chimu-Inca culture. Late Horizon (1470-1532 AD). Peru. Museum of the Americas. Madrid, Spain. Date: 2018

Phytomorphic vessel. Depiction of the fruit known as lucuma (Pouteria Lucuma). Piece from the excavations of the Bishop Baltasar Martinez de Companon (1785). Chimu culture

Textile fragments. Late Intermediate Horizon (1000-1450)
Textile fragments. There were different types of textiles qualities. During the Inca period, the finest was cumbi, made with vicuna. Central coast. Late Intermediate Horizon (1000-1450). Peru

Head of a statue of queen Hatshepsut or of king Thutmose III. 18th dynasty. New Kingdom of Egypt, c. 1460-1450 BC. Carbonatite. Neues Museum (New Museum). Berlin. Germany. Date: 2013

Spain, Extremadura, Caceres. Co-Cathedral of Santa Maria. 12th-16th century. Transitional style Romanesque to Gothic with Renaissance elements. Portada del Evangelio. One of the two Gothic doorways

Flemish Carrack Date: circa 1450

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